When the Nimrod Theatre building in Belvoir Street, Surry Hills, was threatened with redevelopment in 1984, more than 600 people – ardent theatre lovers together with arts, entertainment and media professionals – formed a syndicate to buy the building and save this unique performance space in inner-city Sydney.
Thirty years later, under Artistic Director Eamon Flack, Belvoir engages Australia’s most prominent and promising playwrights, directors, actors and designers to realise an annual season of work that is dynamic, challenging and visionary. As well as performing at home, Belvoir regularly takes to the road, touring both nationally and internationally.
Both the Upstairs and Downstairs stages at Belvoir St Theatre have nurtured the talents of many renowned Australian artists: actors including Geoffrey Rush, Cate Blanchett, Jacqui McKenzie, Toby Schmitz, Robyn Nevin, Deb Mailman and Richard Roxburgh; writers such as Tommy Murphy, Rita Kalnejais, Lally Katz and Kate Mulvany; directors including Simon Stone, Anne-Louise Sarks, Benedict Andrews, Wesley Enoch, Rachael Maza and former Belvoir Artistic Director Neil Armfield.
Belvoir’s position as one of Australia’s most innovative and acclaimed theatre companies has been determined by such landmark productions as The Glass Menagerie, Angels in America, The Wild Duck, The Diary of a Madman, The Blind Giant is Dancing, The Book of Everything, Cloudstreet, Keating!, Parramatta Girls, Exit the King, The Alchemist, Hamlet, Waiting for Godot, The Sapphires, Who’s Afraid of Virginia Woolf?, Stuff Happens and Medea.
In 2011, The Balnaves Foundation came on board to fund Belvoir’s Indigenous Theatre Program. Each year since, The Balnaves Foundation has provided the financial underpinning for Belvoir to present a work in the ‘Belvoir St Upstairs Theatre’ that is led by an established Indigenous artist (as writer and/or director) and tells an Indigenous story, and the ‘Belvoir St Downstairs Theatre’ to produce a work led by an emerging Indigenous artist (as writer and/or director) who will be mentored by a senior Company B Belvoir artist. Belvoir offers a range of access programs in conjunction with both productions, including free performances for the unemployed and school matinees.
The Balnaves Foundation strongly believes that theatre has the ability to connect Indigenous culture and history with current social debate in an impactful and relevant way.
In 2012, The Balnaves Foundation also started to support Belvoir’s Indigenous Playwright's Award, a $25,000 award for the creation of a new play by an Indigenous playwright. Recipients of the Award have included, Nakkiah Lui, Jada Alberts, Leah Purcell, Katie Beckett, Ursula Yovich and Megan Wilding.
To purchase tickets, or for more information on Belvoir St Theatre please visit www.belvoir.com.au
Jan 11, 2018
This is an exhilarating and affecting show, simply told with great humour, a splendid sense of mischief and a brilliant feeling for story and theatre.
Dec 8, 2017
Barbara is a glorious figure - a wild, angry, foul-mouthed, rebellious singer who travels back to Dawrin, then Katherine, with her sister Rene and her band, the Camp Dogs.
Dec 7, 2017
Barbara and the Camp Dogs begins the way most pub gigs do - with a sound check.
Aug 31, 2017
Actor, writer and director Leah Purcell ultimately dominated the Writers' Guild annual awards with her stage play, The Drover's Wife.
Aug 30, 2017
Playwright Leah Purcell has capped off an incredible year of recognition for her play The Drover’s Wife, taking home the top two writing honours at the Australian Writers’ Guild’s 50th Annual AWGIE Awards tonight in Sydney. Read more here.
Jun 2, 2017
Last night Gamilaroi woman Megan Wilding was announced as winner of the Balnaves Foundation Indigenous Playwright’s Award at Belvoir St Theatre. Established to encourage the telling of indigenous stories with the aim of fostering understanding and reconciliation between indigenous and non-indigenous Australians, the $25,000 prize includes a $15,000 commission to write a play.
Mar 3, 2017
Now in its sixth year, Belvoir are accepting entries for The Balnaves Indigenous Playwright's Award.
Dec 18, 2016
Playwright and actor Katie Beckett wrote her new play Which Way Home in a hurry. It felt urgent. If she didn't get a move on, there was a chance her dad, Les, whose parenting inspired Beckett to write the play, wouldn't live to see it.
Sep 21, 2016
Growing up in southwestern Queensland, young Leah Purcell was soothed to sleep by her mother reading Henry Lawson's short story The Drover's Wife.
Sep 12, 2016
When Leah Purcell was a kid, she loved westerns. "I grew up on them," she says. "Spaghetti westerns. The Magnificent Seven. John Wayne in Hondo. I'd always be barracking for the Indians." Forty years later, Purcell, an award-winning actor, writer and director, is drawing on that love of American frontier drama for her very Australian new play The Drover's Wife.
Sep 12, 2016
The Aboriginal actor and writer radically retools Henry Lawson's short story into a bush thriller with elements of her own family history.
Jun 15, 2016
About 2½ years ago, Ursula Yovich travelled to Darwin for her mother’s funeral and encountered a different world. As the eldest child, many decisions about the funeral fell to her, even though she struggled to comprehend the indigenous traditions involved.
Mar 1, 2016
Now in its fifth year The Balnaves Award has become one of the most prestigious playwriting awards in Australia, be it for Indigenous or non-Indigenous writers. The calibre of entries and winners has consistently proven the depth of talent in the Indigenous theatre industry.
May 27, 2015
The high rates of Indigenous children removed from their families and taken into care will be dramatised by this years winner of The Balnaves Foundation Indigenous Playwright's Award.
Feb 20, 2015
Playing at Belvoir, Nakkiah Lui’s second full-length play, confronts on more than one level.
Feb 20, 2015
Playing at Belvoir, Nakkiah Lui requires your attention and she gets it with theatre’s most basic tools; a story.
Feb 20, 2015
There’s a lot more going on with Nakkiah Lui’s Kill The Messenger than first meets the eye.
Feb 10, 2015
Balnaves Foundation’s Indigenous Playwright awardee Nakkiah Lui’s play, Kill the Messenger, spotlights the complex nature of racism in Australia.
Jan 2, 2015
Radiance - the play that revolutionised indigenous theatre in Australia
Aug 21, 2014
Belvoir's ongoing commitment to Indigenous theatre has supported numerous successful and entertaining productions.
May 31, 2014
Award-winning stage and television performer Leah Purcell is turning her focus to youth suicide and the ramifications for the family left behind in her latest play, 'Brothers Wreck' at Belvoir.
May 28, 2014
Actor, director and playwright Leah Purcell wins award for her proposed radical new stage adaptation of Henry Lawson's short story The Drover's Wife.